![]() Now her at-home, salon-quality keratin treatment is a million-dollar business with warehouses in Finland and the UK. When Georgiana Grudinschi started O’Wow Beauty in August 2019, she thought she’d be lucky to get 10 sales a day. O‘Wow Beauty: from one-woman band to million-dollar business Self-improvement, brands to check out and things to see and do – from food to fashion.įeaturing architect Pekka Littow's Majamaja project How to start a (legit) business in your teensĭylan Jacob has founded three companies – making $20,000 a year by the time he was 14 – with two successful exits. Industry deep dives, macro trends, and profiles of fascinating businesses and founders.įive investment opportunities to consider right nowĪ brief look at some of the weird and wonderful ways you can put your money to good work. With more active users than Twitter – and more with the intention of making a purchase – it’s a super-relevant platform for brands to focus on. Pinterest is a lot more than just a virtual corkboard for DIYers and wedding planners. build your business' profile on Pinterest If you’re running a business with any kind of digital footprint, it’s highly likely you’ll be handling people’s personal information. Louis is rich in history-and chocolate.Ĭase studies and how-tos to take you from startup to scale-up and beyond.Įverything you need to know about. What can 3 iconoclasts of the fashion world teach us about marketing? More than you think. Kick start the holidays with this Second Act episode chock full of food, family, and tradition. ![]() Listen as owners take stock of their journeys.įamily comes first, especially this time of year. Singer-songwriter Shirley Manson talks to acclaimed musicians about their breakthrough songs.Ī year can transform a business. This turns on the cut lines and now you can send the design to your Silhouette.A collection of original content that celebrates the entrepreneurial spirit. Once your design is ready to cut, select your design and then click the send icon located in the top right-hand corner. But, you shouldn’t ever need to trace an SVG file. Sometimes, it makes people think the file isn’t working right and will do a trace to get the cut lines to show up. When you first import an SVG file into Silhouette Studio, you’ll notice there aren’t any cut lines. How to Cut SVG Files in Silhouette Studio Designer Edition Double click the design to bring it onto your mat. This will import the design into your library in the user designs folder. ![]() Once you’ve found the SVG file, double-click the name (or select and click ok). You might need to choose All Files in the bottom right corner before it shows up. If you don’t see an SVG file listed, look for a Chrome HTML document or something similar. Go to the folder where you’ve saved your unzipped files and find the SVG file. Once you’re in Silhouette Studio, click file, library, and then import to library. How to import SVG files into your Silhouette Studio Library Once you’re in Silhouette Studio, click file, then open. How to import SVG files into Silhouette Studio Designer Edition The second method will add the file to your built-in Silhouette Studio Library. The first method will allow you to temporarily use the SVG file. There are two simple ways to import the SVG file into Silhouette Studio. Now, you are ready to open the files in Silhouette Studio. You’ll know the folder has been unzipped because you’ll see a new icon of an open folder in your directory. To extract, double-click the folder and then choose extract all. When you download cut files online, they usually come in a zipped folder and need to be extracted before you can use the files. But, you need to have the Designer Edition of Silhouette Studio to be able to use these files. Many designers ( including me) will often give away free SVG files. I love SVG files because they can be used with almost every cutting software. One of the great features of Silhouette Studio Designer Edition is the ability to import SVG files. A SVG file, short for scalable vector graphic, can be resized large or small without losing quality. ![]() How to Import and Cut SVG Files in Silhouette Studio Getting Started with a Silhouette Cameo.Getting Started with a Cricut Explore Air.
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![]() ![]() The game includes 11 playable characters, all of whom return from Virtua Fighter 2. Sega-AM2 also created a similar super-deformed fighting game with Sonic the Hedgehog characters (known as Sonic Championship). The super-deformed versions of characters Akira and Sarah were later made playable in the 1996-1997 Saturn game Fighters Megamix as unlockables. Along with additional branding, this version acts like an extended demo, only allowing access to the basic Arcade and Versus modes. ![]() In addition, the Saturn version received a limited-edition promotional release for the drink (also known as Virtua Fighter Kids: Java Tea Original). Along with some minor differences in gameplay and aesthetic, this version features new CG animation, an optional beginner mode ("Kids" mode, featuring auto-combos and auto-guard) and the ability to create pre-programmed combos.Īll Japanese versions of the game include in-game advertising for the Java Tea brand of tea beverages. It was later ported to the Sega Saturn on July 26, 1996. The whole situation with his dad is dropped altogether, since the character has been reduced to the age of a boy. Virtua Fighter Kids is a 3D comedic fighting game developed by Sega-AM2 and released by Sega for arcades (running their Saturn-based Sega ST-V hardware) on February 1996.Ī spin-off of Virtua Fighter 2, Virtua Fighter Kids presents all characters in a super-deformed art style and features cartoonish remixes of the original game's backgrounds, sounds, and music. In Virtua Fighter Kids, Lion is depicted as a much-younger boy (six to eight years old) and he has a group of maids that tend to his every need. ![]() Instead, the majority of the run-time sees Pitt and an assortment of sidekicks facing down “Zeke” in a familiar array of bunkers, apartment blocks and labs. Considering the movie’s title, it would have been nice to see a lot more war. (The effects are handled well, though the editing is sometimes over-frenetic.) The shame is that, whether for budgetary reasons or to try to keep things more character-based, this type of vast-scale action is limited to a single set-piece, during the film’s mid-point Israel segment. It’s undeniably effective to see thousands of them descend upon their prey, all the while screeching like velociraptors and chomping their teeth. Simon Pegg and other zombie purists are likely to tut up a storm: these reanimated corpses don’t just run, but leap, clamber and power-slide about with inhuman gusto. They're still scary, though, particularly when they’re swarming across the screen like pissed-off army ants. As for guts, forget it: these zombies - and the word is used regularly - don’t seem to have an appetite. ![]() This is a movie in which millions of people die, but barely a drop of blood is seen. But it also sets the tone for what to expect in terms of gore, or lack of it. Director Marc Forster plays the sequence beautifully, keeping the monsters virtually unseen and making the chaos unnerving in itself. By the time you’re munching your first fistful of popcorn, an entire city (Philadelphia) is being overrun. Apocalyptic blockbusters usually take a while to crank up and tease what's coming, but this launches right into it without a single winking R.E.M. That’s right - the fate of humanity lies in the hands of a man called Gerry. With military infrastructures in shambles and entire nations gone radio-silent, he alone must trace the source of the outbreak. Instead, we travel around with Gerry (Brad Pitt), a family man who once ran UN operations into countries where normal mortals wouldn't survive a night. Almost none of this has made it into the film. It also has some astounding images, like a submarine being overwhelmed by zombies on an ocean floor, or the US army’s Alamo-like stand against millions of the ghouls. It has smart things to say about geo-politics. The bleak book from which it takes its name and loose outline, by Max ‘son of Mel’ Brooks, zips all over the globe, looking at the horror from a range of perspectives. ![]() In particular, horror fans jonesing for grand-scale carnage are unlikely to come away entirely satisfied. But it's also just a little bit bland and generic. The result is slick, tense and hangs together fine, far from the disaster many predicted during its tortured birthing. Flash forward several decades and you have World War Z: a huge-budget summer release, starring one of Hollywood's biggest and handsomest names, that sets out to actually show a worldwide assault by the undead. ![]() An invasion of a farmhouse was fine, a city block just about doable, but anything bigger had to be relayed via a flickering TV or solemn radio transmission. When the zombie movie as we know it first twitched into life, it was a niche concern, with budgets to match. |
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